Last year, Jess Watt and Jenn Good covered the Halifax Pop Explosion for CBC’s The Hour and man did they hate Windom Earle:
Windom Earle, or as I like to call it, possibly the worst band I’ve ever heard. A never ending interlude of repeated chords that never found a hook, or a chorus and never really ended until a much appreciated break for some Bon Jovi Karaoke in the middle of the set. Their big song beef chowmein, apparently a local favourite made me hungry and wishing I was eating that instead of listening to this. It was band camp gone wild up there; the sax player who was to his credit playing like it was life or death, almost took himself out with the sax and ended up air-guitaring… on his sax. That kinda sums it up really. Windom – Playing long and loud doesn’t make it sound any better, although bonus points for the cowbell.
Please consider that this is from a pair whose musical taste is suspect to begin with:
As someone who loves, understands and constantly defends The Killers, who are one of the best bands of our time
This year, Jess Watt, with a year of covering superlative festivals like V Fest, Edgefest, the Vans Warped Tour and NXNE under her belt, came back to Halifax, stayed for three days,took some terrible photos, saw about 10% of the bands and declared that the festival had fizzled.
Watt, admittedly, missed out on most of the headliners including: GZA, Holy Fuck, The Inbreds, Monotonix, Josh Ritter, and Jay Reatard. I can understand that she didn’t arrive until Thursday thus missing out on Jay Reatard, Josh Ritter and the Monotonix, but how the hell could you skip out on the Brutal Knights, the Endless Blockade and the GZA?
What is most puzzling are the comments that the Pop Explosion fizzled and was “marred by poor attendance and bad venues”. I can’t prove or disprove the attendance comments, only knowing that the Gus’s Pub shows all did incredibly well, Josh Ritter sold out and there was a healthy and energetic turnout for Jay Reatard. I don’t need to disprove the bad venues comment. Watt does that on her lonesome.
If there were so many performance marred by bad venues, why write:
Already going into The Seahorse I knew this was going to be a good show. Boston’s Scarce admittedly have a very warm place in my heart.
Not to mention the sexual tension in a few of their songs. Wow, the room was heating up.
Saturday night…the finale of the Pop Explosion. What better place to end off the weekend, then at the best venue in Halifax, The Marquee, with CBC Radio 3 presenting and transmitting live.
Locals, The Got To Get Got kicked off our night, playing with a full band, in full form.
or, better still…
First stop, the legendary Gus’ Pub on Agricola Street. Though out of the downtown core, Gus’ Pub felt like home, full of unknown to me, though friendly folk. The bartenders embraced our requests for local brew, Moosehead Dry. Introduced as being from, ‘just up the street from the pub’
I must be missing something.
Reading through Watt’s review of the Pop Explosion, you get the feeling that she enjoyed the festival more than she wants to let on. Scarce, the Got to Get Got, the Stance, Ghettosocks, Sebastien Grainger and the Mountains all receive rave reviews in the entry, so what exactly fizzled about this year’s Pop Explosion? Could it possibly be you showing up in the middle of it and missing great sets by bands like Vkngs, Statues, Horses, Attack Mode and Retribution Gospel Choir?
You can’t blame this one on Windom Earle, you missed their set too.